“In a deserted place, I saw the interior of a white cube space that was like an art museum.”
It’s like embedding technological virtual scenery in the daily landscape; in the familiar memory, one suddenly enters a part amplified by technology.
And this kind of schizophrenic viewing also reflects contemporary daily life.
The space is densely covered with Lust drawing, tapping the viewer’s Taiwanese collective subconscious and visual senses.
Where do these unreadable patterns come from? I can only feel a slight “Taiwanese flavor”, but I can’t be sure.
Technological mirage has a political description; it responds to daily life, system, history, technology, gender, and even folk customs and beliefs.